Silverthought Press presents a new podcast for writers, critics, readers, publishers, editors, and fans of fiction. Our host, author Mark R. Brand, cooks a delicious breakfast for an author or two each episode and they talk shop about writing, writers, and the industry of producing fiction. Gossip, humor, and hijinks are very much encouraged.
Friday, November 11, 2011
Episode 5: Lindsay Hunter and Natalie Edwards
We are pleased to bring you the premiere of Breakfast With the Author Episode 5, with special guests Lindsay Hunter and Natalie Edwards!
Sunday, November 6, 2011
Extra: Korean Sweet Potato Pancakes
Episode 5 will premiere on November 11th, 2011. In the meantime, we are proud to present Korean Sweet Potato Pancakes: A Breakfast With the Author Extra.
In this short special feature video, the first of a planned series of mini-episodes, I demonstrate how to make one of the dishes I cooked for the guests of Episode 6. Sick of the same tired old home-fries? Try these. Enjoy!
Get your yams on. |
In this short special feature video, the first of a planned series of mini-episodes, I demonstrate how to make one of the dishes I cooked for the guests of Episode 6. Sick of the same tired old home-fries? Try these. Enjoy!
Labels:
Extra,
Host,
Korean,
Production,
Recipe,
Sweet Potato,
Technical
Saturday, November 5, 2011
Behind the Scenes: Roosters, Iron Men, Frying Bacon, and the sounds of Breakfast With the Author
One of the most fun parts of editing down the footage of Breakfast With the Author is putting together the soundscape. From the rooster crowing at the beginning to first strains of our title song, every moment of each episode is carefully calculated to come out sounding its best.
The rooster sound is a public domain .wav file that I downloaded quite some time ago from a free sound effects page, and the bacon frying sound effect and title song are both used under a generous creative commons license from SoundJay.com. The title song of the show, incidentally, is called "Iron Man" and can be heard in full on the SoundJay website along with loads of other great background music for your own projects if you so choose.
One thing that's been a real challenge for me as I've recorded these episodes is that the two cameras I use (an iPhone 4 in a custom tripod mount and a Kodak Z650) each have very different microphone gains. Which means one usually records too loudly and the other too softly. Sometimes the iPhone will lose the lower register of my guests' voices and I'll need to boost the volume/gain of the audio track or even occasionally swap in the audio from the other camera for that shot in the mixdown. Other times the Z650 will be so sensitive that it zeroes in on the stove fan in the kitchen and overlays everything with an infernal hum that will have to be fixed and de-hissed later.
For things like the on-location video shot at Jumbo's Diner in Gouverneur, NY, I had to actually strip the audio completely out of the original video footage and reprocess it in Apple's handy GarageBand software, extruding the voices, canceling out the at-times-overwhelming background noise, and then compressing it back down so it sounded normal. This ended up being the most time-consuming part of producing that entire episode, but at least now in the final version all the voices are audible. I can't say enough good things about the Apple hardware I use to edit and master the videos. There's no way I'd be able to achieve the final quality I get without it.
The rooster sound is a public domain .wav file that I downloaded quite some time ago from a free sound effects page, and the bacon frying sound effect and title song are both used under a generous creative commons license from SoundJay.com. The title song of the show, incidentally, is called "Iron Man" and can be heard in full on the SoundJay website along with loads of other great background music for your own projects if you so choose.
One thing that's been a real challenge for me as I've recorded these episodes is that the two cameras I use (an iPhone 4 in a custom tripod mount and a Kodak Z650) each have very different microphone gains. Which means one usually records too loudly and the other too softly. Sometimes the iPhone will lose the lower register of my guests' voices and I'll need to boost the volume/gain of the audio track or even occasionally swap in the audio from the other camera for that shot in the mixdown. Other times the Z650 will be so sensitive that it zeroes in on the stove fan in the kitchen and overlays everything with an infernal hum that will have to be fixed and de-hissed later.
For things like the on-location video shot at Jumbo's Diner in Gouverneur, NY, I had to actually strip the audio completely out of the original video footage and reprocess it in Apple's handy GarageBand software, extruding the voices, canceling out the at-times-overwhelming background noise, and then compressing it back down so it sounded normal. This ended up being the most time-consuming part of producing that entire episode, but at least now in the final version all the voices are audible. I can't say enough good things about the Apple hardware I use to edit and master the videos. There's no way I'd be able to achieve the final quality I get without it.
Thursday, November 3, 2011
Author Spotlight: Gina Frangello
Gina Frangello is the author of the novel My Sister's Continent (2006) and the collection Slut Lullabies (2010). She is the editor of the collection Falling Backwards: Stories of Fathers and Daughters (2004), and she co-edited the collection Men Undressed: Women Writers on the Male Sexual Experience (2011). She is the fiction editor of The Nervous Breakdown, co-founder and Executive Editor of Other Voices Books, and she teaches creative writing at Columbia College and Northwestern University's School of Continuing Studies. Her next book, A Life in Men will be released in 2013 by Algonquin Books.
As relaxed and unpretentious as she is, Gina would probably laugh and disagree if you called her out on being a little bit of a super-mom, but she not only writes, edits, publishes, and teaches; she's also a busy wife and mother with three kids at home. Like many of my favorite authors, she lets her family inform her writing, and it's clear if you spend more than five minutes around her that they enrich her life as much as we can be sure having her enriches theirs.
Aside from her arsenal of writing projects and teaching/editorial duties, and of course being the mom that we all (including us men) wish we could be, she also has contributed to just an astonishing number of interviews, guest blog appearances, articles, essays, and so forth online; everywhere from the Chicago Tribune to the Huffington Post. When I say "astonishing" I mean go to Google's search page and type in any random phrase, like "Irish jug band music" and you can be sure that at some point Gina has had something nuanced, incisive, and on-point to say about it that you'll wish you had thought of first. I'm only half-joking about this.
Readers of my blog will remember that her collection Slut Lullabies was one of my two favorite books of 2010 (tied with The Hunger Games), and I have a second copy of it on my bookshelf that I rescued from the diabolical clutches of Davis Schneiderman's book-dunking guillotine apparatus during Printer's Ball 2011. At first I thought I might lend out the second orphan copy but now I think I'm just going to keep both of them and make you buy your own. You'll thank me later.
As relaxed and unpretentious as she is, Gina would probably laugh and disagree if you called her out on being a little bit of a super-mom, but she not only writes, edits, publishes, and teaches; she's also a busy wife and mother with three kids at home. Like many of my favorite authors, she lets her family inform her writing, and it's clear if you spend more than five minutes around her that they enrich her life as much as we can be sure having her enriches theirs.
Aside from her arsenal of writing projects and teaching/editorial duties, and of course being the mom that we all (including us men) wish we could be, she also has contributed to just an astonishing number of interviews, guest blog appearances, articles, essays, and so forth online; everywhere from the Chicago Tribune to the Huffington Post. When I say "astonishing" I mean go to Google's search page and type in any random phrase, like "Irish jug band music" and you can be sure that at some point Gina has had something nuanced, incisive, and on-point to say about it that you'll wish you had thought of first. I'm only half-joking about this.
Readers of my blog will remember that her collection Slut Lullabies was one of my two favorite books of 2010 (tied with The Hunger Games), and I have a second copy of it on my bookshelf that I rescued from the diabolical clutches of Davis Schneiderman's book-dunking guillotine apparatus during Printer's Ball 2011. At first I thought I might lend out the second orphan copy but now I think I'm just going to keep both of them and make you buy your own. You'll thank me later.
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